Pierluigi Romani's work stands out for the painter's penchant for spectacular compositions, imaginative yet recognisable effects, and landscapes with visionary references in the sense of visio, the act of seeing. In fact, the visionary aspect is not limited to the depiction of the subject, but probably becomes one of the keys to interpreting Romani's pictorial production.
Some works from the late 1990s feature the thematic choice of the aerial medium, as well as airport terminals; this marks the beginning of a decisive change in perspective: increasingly upwards, a wide-ranging view of marshes, canals, swamps, and nature dense with thick tree vegetation.
